The misadventures of Dr. Magnus's team of stumblebum robot superheroes.

Hot metal is a London Weekend Television sitcom about the British Newspaper industry broadcast between 1986 and 1988.The daily crucible, the dullest newspaper in Fleet Street, is suddenly taken over by media magnate Terence "Twiggy" Rathbone. Its editor Harry Stringer is 'promoted' to managing editor, and is replaced in his old job by Russell Spam. Spam then takes the paper shooting downmarket and turns the crucible into a sensation seeking scandal rag, very much in the style of the British tabloids of the 1980s. He is helped along by his ace gutter journalist, Greg Kettle, who intimidates his tabloid victims by claiming to be "a representative of Her Majesty's press" and produces stories such as accusing a vicar of being a werewolf. Throughout the first series, a running plot involved cub reporter Bill Tytla gradually uncovering an actual newsworthy story that went to the very heart of government.Written by David Renwick and Andrew Marshall, it is very much a continuation in style from their previous sitcom Whoops Apocalypse!. It was produced by Humphrey Barclay.

After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band.

Twin sisters Emma and Chantal couldn't be more unalike. When their parents leave them alone for the summer, their simmering sibling rivalry threatens to boil over and change their relationship and lives forever.

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)

A mixture of ethnic music and traditional skills, this film sweeps to Mexico, India, Nigeria, and Dahomey, where craftsmen pound, tap, grind and fire metal into jewelry, figurines and objects of all sorts. Without words.

Metal Mickey was a robot built by young Ken to do chores around the house. Ken was the eldest child of a typical British family--well, almost typical. Metal Mickey was endowed with a number of magic powers, which enabled it to battle aliens, travel through time, survive extreme temperatures, and other outlandish situations. Mostly Metal Mickey just caused trouble for the Wilburforces, but the family loved him anyway.

Metal Mania (1989) boldly exposes heavy metal's satanic agenda targeting youth. Bob Larson interviews bands like Slayer and Laaz Rockit, revealing demonic lyrics, backmasking, and occult imagery designed to corrupt souls—contrasted with authentic Christian metal as the godly alternative. From the 80s satanic panic era, this isn't neutral concert footage—it's urgent media discernment calling believers to reject hellish rock rebellion and protect the next generation through faith-filled music. Powerful wake-up call against cultural poison.

A homeless man named Keith, Is suspicious about the mayor Bob, for all the changes he's done to the town. Until he finds this helmet that gives him superpowers and uses them to expose Bob's secrets.

In a world of total surveillance, telepathy will be the last refuge of privacy.